Thirty-Fifth Annual Dinner Dance
Before the outset of WWII, the ABF held many events and benefits to fundraise for its charitable work.
This dinner-dance was held in 1931 at the Savoy in London, close to the ABF offices.
This article was printed in The Stage in 1932, and aimed to tackle misconceptions about the various theatrical charities.
The article gives some information about the activities of the ABF in the 1930s – “its objects are the assist old and deserving actors and actresses, and to relieve the wants of those who, by illness or misfortune, have fallen by the way.”
Renowned actor and former ABF President Sir John Gielgud donated much of his early artwork to the archives in the 1980s.
This artwork dates from Gielgud's time in art school, before he became one of the most famous actors of the 20th Century, and includes many designs for costume and stage.
The ABF is proud to hold a large collection of artwork from fashion and costume designer Victor Stiebel.
Born in 1907, Stiebel started out in theatre wardrobe before becoming prolific and well-respected designer of ladies' fashion in the early-to-mid 20th Century. Among his most famous designs was an outfit for Princess Margaret's wedding in 1960. Stiebel also designed several dresses for Vivien Leigh, some of which are held in the ABF archives.
Annual dinners were held to raise money for the ABF, and to report back on the activities of the charity over the previous year.
The first of such annual dinners was held on June 24th 1891 at the Hotel Metropole (now the Corinthia Hotel in Whitehall), and was chaired by Henry Irving himself. Its guest of honour was Charles Dickens Jr, son of the great author of the same name. The entertainment was varied and frequent, including songs such as ‘We’re all Noddin’’ and ‘Come into the Garden, Maud’, performed by renowned operatic singer Sims Reeves.
The first meeting of the Actors' Benevolent Fund was held in the Beefsteak Room of the Lyceum Theatre on 4th May 1882.
Actor-managers in attendance included Henry Irving, William Hunter Kendal, and Charles Wyndham. In this meeting, it was agreed that the primary aim of the ABF would be for "the relief of distressed and decayed actors."